THE AESTHETICS OF A TWO-DIMENSIONAL SPACE IN SOME MODERN WESTERN ART WORKS

Abstract

At the end of the 20th century, postmodernism had a widespread influence on the creative thinking of many contemporary artists. The birth of a series of new concepts: Anti-art (anti-art); Outsider art (Exterior art); Neo-DaDa (Tan DaDa); Conceptual art; Psychedelic art (Psychedelic art); Pop art (Popular art); Visionary art; Fluxus art (Flow art); Interactive art; Assemblage art (fusion art); Post Minialism art (Post-minimalism art); Land art (Land art); Installation art (Installation art); Lowbrow art (Little-learned art); Graffiti art (street wall painting art); Digital art (Digital art); Telematic art (telecommunications arts); Performance art; Video art (Video art); Neo-expressionism (the art of Tan expressionism); Appropriation art (Art of Possession); Neo-Conceptual art (New concept art); ASCII art (graphic design art using computers); Pavement art (pavement painting); Plop art (public art); Live art; Internet art ... is called postmodernism art and is also called contemporary art (because these schools belong to the art field, so we have can be called more precisely the contemporary visual art) has created new waves in the art world in the middle and the end of the 20th century ...

Through the history of the conception of aesthetic trends and the artist’s own experiences, it is seen that since the birth of painting, many artists have always wished to adapt reality in imagination into structures of shapes, colors and lines controlled by reason in a way that perceives the essence of reality. Accordingly, the concept of reproducing natural space by clairvoyance method with the declaration that restoring nature to the surface is taken as    a measure to evaluate the work in such a ưay that nature displayed in the picture must be similar or nearly similar. In fact, nature is always moving, it carries within its heart all the changes. Therefore, here we do not discuss the technique of spatial depiction by shaping block description to create spatial depth like a clairvoyant perspective method. This article mentions to the problem of simple thinking and realizing reality. However, the manifestations of two-dimensional artistic thinking have not reached the radical level, but it has clearly hidden a special expressive power so that later we will see its movement prolonged and strongly developed in a series of compositions in the Modern and Postmodern period in the world art scene.